Mel Bochner’s (b. 1940, American)
Misunderstandings (A Theory of
Photography), 1970 series of offset
lithographs dissects the subjective
“rules” that have governed the medium
of photography. Bochner made this
work at a time when photography was
being questioned and defended as a
formidable medium in art. Six of the
quotations on the cards are sourced
from literature, and three are invented
by Bochner and question the framework
and rules that artists, critics, and
historians have ascribed to the field. By
creating ambiguity among actual and
forged sources, the artist questions the
authenticity of representation that is
inherent to the photographic medium.
–Affinities and Outliers: Highlights from the University at Albany Fine Art Collections