The Brank from The Atelier Project

[The head of a person wearing "branks" with tall ears that resemble those of a donkey. The person's face exhibits agony and red is smeared across the image to depict blood. The bottom of the image has text that reads: "Branks were 16th - 19th century instruments to control dissent, often inflicted on women considered troublesome or litigious. If restrained long enough, the victim starved to death."]

Leon Golub

The Brank from The Atelier Project , 1984

Artwork Type: Prints
Medium: Flat bed offset lithograph on Arches Cover paper
Dimensions: 30 x 22 in. (76.2 x 55.88 cm)
Accession #: 19871011G
Department: SUNY /Atelier Project
Credit: Collection of University Art Museum, University at Albany, State University of New York on behalf of The University at Albany Foundation, purchase of University at Albany, State University of New York
Related Exhibitions:
Persuasive Images: Selected Works from the Art Collections at the University at Albany
History Lessons
Copyright: © Leon Golub
Object Label:
Golub was at the forefront of art and activism throughout his career, and in the 1970s and 1980s he produced damning critiques of violence, torture, and coercion carried out by institutions and governments. He worked in both painting and printmaking. In this print, the text describes a brank, also known as a scold’s bridle, a device used over several centuries to literally silence and punish women, often with fatal consequences. Golub’s gestural rendering embodies the violent use of the device and begins to take on animal-like characteristics, such as pointy ears, which read as an indictment of the torturer’s inhumanity. Golub is quoted as saying, “The nightmare of history has no beginning and no end.” In revisiting the past, Golub draws attention to power dynamics in the present, inviting the viewer to critically reflect on what tools of power are used today to silence women.
History Lessons

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